{"id":520,"date":"2010-12-10T01:01:16","date_gmt":"2010-12-09T23:01:16","guid":{"rendered":"http:\/\/www.odpod.se\/?p=520"},"modified":"2013-09-17T17:35:53","modified_gmt":"2013-09-17T13:35:53","slug":"podcast-31-jag-tanker-pa-scenen-med-inflygningen-mot-on","status":"publish","type":"post","link":"http:\/\/www.odpod.se\/index.php\/2010\/12\/podcast-31-jag-tanker-pa-scenen-med-inflygningen-mot-on\/","title":{"rendered":"Podcast #31: &#8221;Jag t\u00e4nker p\u00e5 scenen med inflygningen mot \u00f6n&#8221;"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.odpod.se\/wp-content\/uploads\/2010\/12\/31soundtracks-670x223.jpg\" alt=\"John Williams\" width=\"670\" height=\"223\" class=\"alignnone size-large wp-image-1923\" srcset=\"http:\/\/www.odpod.se\/wp-content\/uploads\/2010\/12\/31soundtracks-670x223.jpg 670w, http:\/\/www.odpod.se\/wp-content\/uploads\/2010\/12\/31soundtracks-150x50.jpg 150w, http:\/\/www.odpod.se\/wp-content\/uploads\/2010\/12\/31soundtracks.jpg 720w\" sizes=\"auto, (max-width: 670px) 100vw, 670px\" \/><br \/>\n<b><u>2010-12-10:<\/b><\/u> Det har blivit dags f\u00f6r det stora specialavsnittet om filmmusik! Soundtracks har en speciell egenskap eftersom de \u00e4r skr\u00e4ddarsydda f\u00f6r bilderna som visas p\u00e5 bioduken, men som ocks\u00e5 g\u00e5r att koppla loss fr\u00e5n filmernas handling och f\u00e5 en egen betydelse. Obiter Dictum diskuterar vad som utg\u00f6r ett bra soundtrack, vad som kan lyfta filmen till en ny niv\u00e5 och vilka typer av scores som blir de som vi tar med oss \u00e4ven n\u00e4r eftertexterna rullat klart. Det blir givetvis en del listande av favoriter och s\u00e5 f\u00f6rs\u00f6ker vi ljudl\u00e4gga n\u00e5gra egna potentiella filmscener. Medverkar i avsnittet g\u00f6r <b>Tobias Norstr\u00f6m<\/b> och <b>Billy Rimgard<\/b>.<\/p>\n<p><a href=\"http:\/\/odpod.no-ip.org\/Obiter_Dictum-2010-12-10-Avsnitt_31.mp3\">Ladda ner som mp3<\/a><br \/>\n<a href=\"http:\/\/phobos.apple.com\/WebObjects\/MZStore.woa\/wa\/viewPodcast?id=362341950\">Prenumerera i iTunes<\/a><br \/>\n<a href=\"http:\/\/odpod.no-ip.org\/odpod.xml\" target=\"_blank\">Prenumerera i annat program (rss)<\/a><\/p>\n<p>Lyssna direkt:<br \/>\n<audio class=\"wp-audio-shortcode\" id=\"audio-520-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/odpod.no-ip.org\/Obiter_Dictum-2010-12-10-Avsnitt_31.mp3?_=1\" \/><a href=\"http:\/\/odpod.no-ip.org\/Obiter_Dictum-2010-12-10-Avsnitt_31.mp3\">http:\/\/odpod.no-ip.org\/Obiter_Dictum-2010-12-10-Avsnitt_31.mp3<\/a><\/audio><\/p>\n<p><!--more--><\/p>\n<p><a href=\"http:\/\/www.facebook.com\/pages\/Obiter-Dictum-podcast\/103901622974003\" target=\"_blank\">F\u00f6lj oss p\u00e5 Facebook<\/a>. <\/p>\n<p><b><u>AVSNITTETS L\u00c4NKAR:<\/b><\/u><\/p>\n<p><b>Jeanette Gentele<\/b> drog fel slutsatser om dagens filmmusik i en <a href=\"http:\/\/www.svd.se\/kulturnoje\/nyheter\/upptack-musiken-i-filmerna_5430155.svd\" target=\"_blank\">kr\u00f6nika i SvD<\/a>.<\/p>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=2mKaWqDqXak\" target=\"_blank\">\u00bbSouth Park\u00ab-versionen av \u00bbInception\u00ab-temat<\/a> \u00e4r lysande parodi. <B>Hans Zimmer<\/b>s soundtrack f\u00f6r \u00bbInception\u00ab \u00e4r mer omsorgsfullt \u00e4n han brukar g\u00f6ra, men p\u00e5minner \u00e4nd\u00e5 starkt om hans \u00f6vriga grejer, alla komponerade i den ganska <a href=\"http:\/\/www.synthgear.com\/2010\/artists\/hans-zimmer-studio\/\" target=\"_blank\">porriga studio<\/a>. <b>James Horner<\/b>s musik f\u00f6r <a href=\"http:\/\/open.spotify.com\/album\/1H81jGoWeLI8ufq42GfDPn\" target=\"_blank\">\u00bbAvatar\u00ab<\/a> och <a href=\"http:\/\/open.spotify.com\/album\/5cBuyHhRz9LIlHMKWSZsrt\" target=\"_blank\">\u00bbZorro\u00ab<\/a> visar ocks\u00e5 p\u00e5 likriktning d\u00e4r komposit\u00f6rer \u00e5teranv\u00e4nder sina typiska grepp. <b>M83<\/b> har skrivit stora delar av musiken till filmen \u00bbL&#8217;Autre Monde\u00ab och soundtracket <a href=\"http:\/\/ma-g.com\/movie_saundtracks\/lautre-monde-black-heaven-soundtrack-by-emmanuel-dorlando-va\/\" target=\"_blank\">finns i sj\u00f6n<\/a>. <\/p>\n<p><b>Stanley Kubrick<\/b>s anv\u00e4ndande av <a href=\"http:\/\/open.spotify.com\/track\/64DqmDaxzQ0M89V7MZqkUZ\" target=\"_blank\">\u00bbAlso Sprach Zarathustra\u00ab<\/a> \u00e4r ett exempel p\u00e5 hur en v\u00e4lk\u00e4nd komposition kan tillf\u00f6ra n\u00e5got annat \u00e4n en specialskriven. <b>Vangelis<\/b> soundtrack till <a href=\"http:\/\/open.spotify.com\/album\/6mHCIP1mMS2WI5MeayCMWZ\" target=\"_blank\">\u00bbChariots of Fire\u00ab<\/a> var det f\u00f6rsta syntetiska som vann en Oscar. <b>Daft Punk<\/b>s nya musik f\u00f6r <a href=\"http:\/\/open.spotify.com\/album\/2GC8kfyiyPjyheUUWyEY8F\" target=\"_blank\">\u00bbTron\u00ab<\/a> kombinerar syntetiska och organiska ljud. <\/p>\n<p>Soundtracken till <a href=\"http:\/\/open.spotify.com\/album\/3vRFag7W8G9SY1sbeEMU90\" target=\"_blank\">\u00bbEscape From New York\u00ab<\/a> och <a href=\"http:\/\/open.spotify.com\/album\/5C0sEGbStaD8ZWQzBrNxJ3\" target=\"_blank\">\u00bbPi\u00ab<\/a> \u00e4r favoriter p\u00e5 Obiter Dictum-redaktionen. <b>Clint Mansell<\/b>s musik f\u00f6r <a href=\"http:\/\/open.spotify.com\/album\/7q18n1Pnq7mx6satptDoJ3\" target=\"_blank\">\u00bbThe Fountain\u00ab<\/a> \u00e4r helt enast\u00e5ende, speciellt <a href=\"http:\/\/open.spotify.com\/track\/3RoQX4ou3qYEASsuC7YAWD\" target=\"_blank\">\u00bbDeath is the Road to Awe\u00ab<\/a>. <\/p>\n<p>Listan \u00f6ver <del>episka<\/del> grekiska soundtracks utan h\u00e4nsyn till kvaliteten: <a href=\"http:\/\/open.spotify.com\/album\/6G3RCWqwcqlO6OcXzLQWy2\" target=\"_blank\">Hans Zimmer &#8211; \u00bbGladiator\u00ab<\/a>. <a href=\"http:\/\/open.spotify.com\/album\/1PgeYPKQY9H5pxHGJa5izY\" target=\"_blank\"><b>John Williams<\/b> &#8211; \u00bbJurassic Park\u00ab<\/a>. <a href=\"http:\/\/open.spotify.com\/album\/20AJbakOAFOHnkDNqjMhMQ\" target=\"_blank\"><b>Basil Poledouris<\/b> &#8211; \u00bbThe Hunt For Red October\u00ab<\/a>. Clint Mansell &#8211; \u00bbRequiem For A Dream\u00ab. <b>Carl Orff<\/b> &#8211; \u00bbGassenhauser\u00ab.<\/p>\n<p>Listan \u00f6ver tre b\u00e4sta soundtracks: Tobias v\u00e4ljer <b>Riz Ortolani<\/b> &#8211; \u00bbCannibal Holocaust\u00ab, <b>Bj\u00f6rn Isfelt<\/b> och <b>Lasse Dahlberg<\/b> &#8211; \u00bbBr\u00f6derna Lejonhj\u00e4rta\u00ab och <a href=\"http:\/\/open.spotify.com\/track\/2w4ZMDUvOXF2dCW8310Ffg\" target=\"_blank\"><b>Brad Fiedel<\/b> &#8211; \u00bbTerminator\u00ab<\/a>. Billy v\u00e4ljer <b>Wojciech Kilar<\/b> &#8211; \u00bbFrancis Ford Coppola&#8217;s Dracula\u00ab, <b>Peter Gabriel<\/b> &#8211; \u00bbBirdy\u00ab och <a href=\"http:\/\/open.spotify.com\/album\/2fOlcWrSR032MxwMCQe9LA\" target=\"_blank\"><b>Ennio Morricone<\/b> &#8211; \u00bbThe Mission\u00ab<\/a>. <a href=\"http:\/\/open.spotify.com\/album\/5Si9eDo3PRnPauklFuhu34\" target=\"_blank\"><b>Rachel Portman<\/b>s &#8211; \u00bbChocolat\u00ab<\/a> \u00e4r ocks\u00e5 v\u00e4rt att bolla upp. <\/p>\n<p><b>Alan Howarth<\/b>s <a href=\"http:\/\/ra4.residentadvisor.net\/audio\/RA230_101025_Alan-Howarth-residentadvisor.net.mp3\" target=\"_blank\">entimmesmix f\u00f6r \u00bbResident Advisor\u00ab<\/a> \u00e4r definitivt gammalt soundtrackmaterial som m\u00e5ste h\u00f6ras.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2010-12-10: Det har blivit dags f\u00f6r det stora specialavsnittet om filmmusik! Soundtracks har en speciell egenskap eftersom de \u00e4r skr\u00e4ddarsydda f\u00f6r bilderna som visas p\u00e5 bioduken, men som ocks\u00e5 g\u00e5r att koppla loss fr\u00e5n filmernas handling och f\u00e5 en egen betydelse. Obiter Dictum diskuterar vad som utg\u00f6r ett bra soundtrack, vad som kan lyfta filmen [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[10],"tags":[],"class_list":{"0":"post-520","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-nya-odpod","7":"entry"},"aioseo_notices":[],"_links":{"self":[{"href":"http:\/\/www.odpod.se\/index.php\/wp-json\/wp\/v2\/posts\/520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.odpod.se\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.odpod.se\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.odpod.se\/index.php\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/www.odpod.se\/index.php\/wp-json\/wp\/v2\/comments?post=520"}],"version-history":[{"count":15,"href":"http:\/\/www.odpod.se\/index.php\/wp-json\/wp\/v2\/posts\/520\/revisions"}],"predecessor-version":[{"id":1924,"href":"http:\/\/www.odpod.se\/index.php\/wp-json\/wp\/v2\/posts\/520\/revisions\/1924"}],"wp:attachment":[{"href":"http:\/\/www.odpod.se\/index.php\/wp-json\/wp\/v2\/media?parent=520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.odpod.se\/index.php\/wp-json\/wp\/v2\/categories?post=520"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.odpod.se\/index.php\/wp-json\/wp\/v2\/tags?post=520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}